From a tatu-block in
the Sarawak Museum. (No. 1435.)
Fig. 7. -- Uma Lekan Kayan anthropomorphic design (SILONG), tatued
in rows down front and sides of thigh.
Fig. 8. -- Kayan bead (LUKUT) design, tatued on the wrist of men.
Fig. 9. -- ,, ,, ,,
Fig. 10. -- ,, ,, ,, From a tatu-block in the Sarawak Museum. (No.
1054.62.)
Fig. 11. -- Portion of Uma Lekan Kayan design for back of thigh of
women of high rank (after Nieuwenhuis).
Plate 140.
Fig. 1. -- Tatu design on the forearm of an Uma Lekan Kayan woman
of high rank. From a rubbing of a carved wooden model in the Sarawak
Museum. (No. 1398.)
Fig. 2. -- Tatu design on the thigh of an Uma Lekan Kayan woman of
high rank. From a rubbing of a carved wooden model in the Sarawak
Museum. (No. 1398.)
Fig. 3. -- Tatu design on the forearm of an Uma Phan Kayan woman
of high rank. A = BELILING BULAN, full moons; B = DULANG HAROK,
bows of a boat; C = KAWIT, hooks; D = DAUN WI, leaves of rattan; E =
TUSHUN TUVA, bundles of tuba root. From a carved wooden model in the
Sarawak Museum. (No. 1431.)
Fig. 4. -- Kenyah design, representing the open fruit of a species
of mango (IPA OLIM), tatued on breasts or shoulders of men. From a
tatu-block in the Sarawak Museum. (No.
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