A
= TUSHUN TUVA; B = DULANG HAROK, bows of a boat; C = ULU TINGGANG,
hornbill's head; D = BELILING BULAN, full moons. From a tatu-block
in the Sarawak Museum. (No. 1432.)
Fig. 6. -- Barawan design for the shoulder or breast of men. From
a drawing.
Fig. 7. -- Design of uncertain origin, on the calf of the leg of an
Ukit man.
Plate 139.
Fig. 1. -- Kayan (Rejang R.) design known as IDA TUANG or IDA LIMA for
back of thigh of women of high rank. Note the hornbill heads at the
top of the design. From a tatu-block in the Sarawak Museum. (No. 166D
Brooke Low Coll.)
Fig. 2. -- Kayan (Rejang R.) design; compare with Figs. 5 and 11. From
a tatu-block in the Sarawak Museum. (No. 166C Brooke Low Coll.)
Fig. 3. -- Long Glat hornbill design (after Nieuwenhuis). This is
tatued in rows down the front and sides of the thigh.
Fig. 4. -- Kayan (?) hornbill design, known, however, as the "dog
without a tail" (TUANG BUVONG ASU). From a tatu-block in the Sarawak
Museum. (No. 1054.8.)
Fig. 5. -- Kayan (Rejang R.) tatu design known as "dog without a tail"
(TUANG BUVONG ASU) pattern, for front and sides of thigh of women
of high rank. From a tatu-block in the Sarawak Museum. (No. 166G,
Brooke Low Coll.)
Fig. 6. -- Kayan three-line and four-line design (IDA TELO and IDA
PAT) for back of thigh of women of low class.
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