Bibliography.
1. Beccari, Dr. O., NELLE FORESTE DI BORNEO (1902).
2. Bock, Carl, THE HEAD-HUNTERS OF BORNEO (1882).
3. Furness, W. H., THE HOME LIFE OF BORNEO HEAD-HUNTERS (1902).
4. Haddon, E. B., "The Dog-motive in Bornean Art" (JOURN. ANTH. INST.,
1905).
5. Hamer, C. den, IETS OVER HET TATOUEEREN OF TOETANG BIJ DE
BIADJOE-STAMMEN.
6. Hein, A. R., DIE BILDENDEN KUNSTE BEI DEN DAYAKS AUF BORNEO (1890).
7. Ling Roth, H., THE NATIVES OF SARAWAK AND BRITISH NORTH BORNEO
(1896), vol. ii.
8. Nieuwenhuis, Dr. A. W., IN CENTRAL BORNEO (1900). vol. i.
9. Nieuwenhuis, Dr. A. W., QUER DURCH BORNEO (1904), vol. i.
10. Schwaner, Dr. C. A. L. M., BORNEO (1853 -- 54); cf. Ling Roth,
vol. ii. pp. cxci to cxcv.
11. Whitehead, J., EXPLORATION OF MOUNT KINA BALU, NORTH BORNEO (1893).
Brief references to tatu will also be found in the writings of Burns,
Brooke Low, MacDougall, De Crespigny, Hatton, St. John, Witti, and
others, but notices of all these will be found in Mr. Ling Roth's
volumes.
Explanation of Plates.
Plate 136.
Fig. 1. -- Kayan dog design (UDOH ASU) for thighs of men. From a
tatu-block in the Sarawak Museum. (No. 1054.104.)
Fig. 2. -- Uma Balubo Kayan dog design. From a tatu-block in the
Sarawak Museum.
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