But if nature is only
opposed to art, in what situation of the human race are the footsteps of
art unknown? In the condition of the savage, as well as in that of the
citizen, are many proofs of human invention; and in either is not any
permanent station, but a mere stage through which this' travelling being is
destined to pass. If the palace be unnatural, the cottage is so no less;
and the highest refinements of political and moral apprehension, are not
more artificial in their kind, than the first operations of sentiment and
reason.
If we admit that man is susceptible of improvement, and has in himself a
principle of progression, and a desire of perfection, it appears improper
to say, that he has quitted the state of his nature, when he has begun to
proceed; or that he finds a station for which he was not intended, while,
like other animals, he only follows the disposition, and employs the powers
that nature has given.
The latest efforts of human invention are but a continuation of certain
devices which were practised in the earliest ages of the world, and in the
rudest state of mankind.
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